An analysis of the work of the mind of shirley jackson

A young boy named Laurie goes off to his first day of school, and he comes home and tells his parents all kinds of outrageous stories about another boy in class named Charles. This boy is naughty in just about every way, and Laurie takes great delight in repeating every bad word and rascally act that Charles said or This boy is naughty in just about every way, and Laurie takes great delight in repeating every bad word and rascally act that Charles said or perpetrated that day. In doing this, Laurie insults his parents, talking to them in ways he would not be allowed to do if he were simply being himself.

An analysis of the work of the mind of shirley jackson

The premise is that of a science experiment--an academic exercise to test the reality of house-haunting. I love the fact that the opening pages essentially replicate the clinical nature of the premise: A contemporary editor might have said: Then we follow Eleanor, the main character, as she takes the car she shares with her sister and drives to Hill House.

Again, it takes a few pages to get there, but it allows for wonderful scenes where her imagination takes flight or where she interacts, awkwardly, with the townsfolk in the nearest small town.

The interaction in the diner is classic Shirley Jackson--capturing the suspicion and unease and boredom of small town life. I'd forgotten just what a genius description of the Hill House we're treated to when Eleanor first sees it.

I find it fascinating that Jackson describes the house for nearly two pages without ever physically describing it, other than to say it's "enormous and dark" and has steps leading up to a veranda. It's presented as being alive, as being almost a lover who "enshadows" Eleanor when she walks up those steps, and in that description you get not only a sense of the house itself, but a sense of Eleanor, of her loneliness and perhaps even madness.

She's afraid of Hill House in the same way she'd be afraid of a lover. Here is this strong presence who threatens to swallow her up, and in a way, when she walks in, a sort of Gothic romance is born. Eleanor is at the top of the stairs, looking down, and she begins talking before you realize there's anyone else there.

Is there anyone really? Maybe Eleanor is mad. It's a disorienting moment, and then Eleanor sees Mrs. Dudley, but Eleanor is still not described as seeing anyone else until Theodora introduces herself.

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But even then, there is no physical description of Theodora--there's just a voice: I love that description, but what amazes even more is how the other characters really aren't described at all. Only the house is tangible in a way. They're playing a game, inventing whimsical characters for themselves, but all is not pure fun--there's the flash of Eleanor's jealousy when Theodora gives Luke a "quick, understanding glance"--the same kind of glance "she had earlier given Eleanor.

You have Eleanor and her sister, of course, at the beginning of the book, and then the tale of the orphaned sisters who lived in Hill House, and then Eleanor and Theodora themselves, who quickly become like sisters.

Shirley Jackson's Louisa, Please Come Home - Slap Happy Larry

All those relationships are marked and marred by jealousy, one that lies just beneath the polite surface of things. She does it through so many small decisions like the one I mentioned earlier, where she doesn't physically describe her characters.

An analysis of the work of the mind of shirley jackson

There's also a wonderful moment at the beginning of Chapter 4, where Eleanor and Theodora wake up after the first uneventful night at Hill House. It's a small moment, yet so revealing of Jackson's technique. Theodora is in the bathroom, taking a bath. Eleanor is in her room, looking out the window.

Then in the very next paragraph, with no transition whatsoever, Theodora is suddenly pounding on the bathroom door telling Eleanor to hurry up.Get an answer for 'What are some themes in Shirley Jackson's short story "Charles"?' and find homework help for other Charles questions at eNotes Charles Analysis; Shirley Jackson Biography.

Shirley Jackson’s Louisa Please Come Home can be found in this collection, along with other short stories similar in tone. Without meaning to, I keep reading short stories written by women who died young: Katherine Mansfield, Angela Carter, and now Shirley Jackson.

How a Minute Visit with Michael Jackson Led to Years of Nightmares – Stargayzing

🔥Citing and more! Add citations directly into your paper, Check for unintentional plagiarism and check for writing mistakes.

The Haunting of Hill House () is justly revered as an exemplar of the horror genre, not only because its plot provides the template for all those haunted house tales to come, but also because its superb prose and subtle psychology transcend genre, transforming what might otherwise have been.

In the years since Michael Jackson’s tragic death, passion for all things related to the brilliant, troubled superstar has only increased. From the profound—his peerless musical legacy, to the perverse—endless speculation about his nose and myriad of other personal eccentricities, it seems that no subject is beyond the interest of his ever-growing fan-base.

Michael Jackson And The Jackson - Later on, Michael Jackson became a solo artist and grew separately from the Jackson 5. Whenever someone refers to the “The King of Pop”, everyone automatically knows for a fact that they are talking about Michael Jackson.

The Shirley Jackson Project | The Comics Journal